{"configsettings":{"metatags":{"id":"1","title":"Vendela Vida","description":"Vendela Vida is the award-winning writer of a number of books, essays, and reviews.","keywords":"vendela, vida, vendela vida, writer, books, literature, we run, we run the tides, the diver's, diver's clothes, diver's clothes lie empty, lovers, the lovers, let the northern lights, let the northern lights erase your name, the believer, believer, and now you can, and now you can go, away we go, screenplay, prose, fiction, essays, new yorker, new york times, plougshares, book review, girls on the verge, green apple books, bay area, readings, events, news, in conversation,","__typename":"MetaTags"},"analytics":{"id":"2","googleAnalyticsId":"261470486","__typename":"Analytics"},"__typename":"ConfigSettings"},"homepage":{"id":"2","bgImage":{"id":"2","uid":"e3da8863-87b1-4ced-a880-7793487a780e","url":"https://media.artcodehost.io/vendelavida/images/e3da886387b14ceda8807793487a780e_gaAN.jpg","width":3807,"height":3900,"title":"Gettyimages-569345989","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e3da886387b14ceda8807793487a780e_gaAN.jpg/200x200.inside.e3da886387b14ceda8807793487a780e_gaAN.jpg","width":195,"height":200,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e3da886387b14ceda8807793487a780e_gaAN.jpg/300x300.inside.e3da886387b14ceda8807793487a780e_gaAN.jpg","width":293,"height":300,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e3da886387b14ceda8807793487a780e_gaAN.jpg/880x800.inside.e3da886387b14ceda8807793487a780e_gaAN.jpg","width":781,"height":800,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e3da886387b14ceda8807793487a780e_gaAN.jpg/1920x1200.inside.e3da886387b14ceda8807793487a780e_gaAN.jpg","width":1171,"height":1200,"crop":false}},"__typename":"Image"},"__typename":"HomePage"},"books":[{"id":"8","slug":"we-run-the-tides","title":"We Run the Tides","buyUrl":"https://www.greenapplebooks.com/book/9780062936233","image":{"id":"16","uid":"7c144642-9b58-4448-a8c1-6cf8db9ff595","url":"https://media.artcodehost.io/vendelavida/images/7c1446429b584448a8c16cf8db9ff595_quRG.jpg","width":4200,"height":2850,"title":"WRTT final","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/7c1446429b584448a8c16cf8db9ff595_quRG.jpg/200x200.inside.7c1446429b584448a8c16cf8db9ff595_quRG.jpg","width":200,"height":136,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/7c1446429b584448a8c16cf8db9ff595_quRG.jpg/300x300.inside.7c1446429b584448a8c16cf8db9ff595_quRG.jpg","width":300,"height":204,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/7c1446429b584448a8c16cf8db9ff595_quRG.jpg/880x800.inside.7c1446429b584448a8c16cf8db9ff595_quRG.jpg","width":880,"height":597,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/7c1446429b584448a8c16cf8db9ff595_quRG.jpg/1920x1200.inside.7c1446429b584448a8c16cf8db9ff595_quRG.jpg","width":1768,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"26","text":"

We Run the Tides is smart, perceptive, elegant, sad, surprising, and addictive. And it’s also FUNNY. Who knew that you could combine all those qualities into one slim volume? Not many writers, that’s for sure. I loved every single page and was sorry when I had to say goodbye to Eulabee and her family.
\r\n—Nick Hornby, author of Just Like You

","__typename":"Praise"},{"id":"58","text":"

\r\n
The year is probably too young to make this kind of pronouncement, but the new novel I know I'm going to be rereading in the coming months and spending a lot of time thinking about is Vendela Vida's We Run the Tides. It's a tough and exquisite sliver of a short novel whose world I want to remain lost in—and at the same time am relieved to have outgrown . . . [a] spectacular narrator. . . . [a] wonder of a novel.
\r\n—Maureen Corrigan, Fresh Air
\r\n

","__typename":"Praise"},{"id":"24","text":"

The dreamy yearning and turmoil of youth are evoked here so vividly as to seem supernaturally conjured. However long ago you were a teenager, We Run the Tides will bring the quandaries and sensations right back. Vendela Vida has written a novel of absorbing, exquisite economy and percipience. She has also written an intimate allegory of our unraveling tether to truth.
\r\n—Lisa Halliday, author of Asymmetry

","__typename":"Praise"},{"id":"22","text":"

I didn't want it to end.
\r\n—Tom Stoppard

","__typename":"Praise"},{"id":"23","text":"

The young narrator of Vendela Vida’s new novel is cast out of her friend crew (For what? For nothing) at the moment she and the girls around her are just beginning to understand the power they hold, and how to wield it. There’s violence lurking here, but also humor (It’s funny!), also love. This is one of the best novels about girlhood and female friendship I’ve ever read.
\r\n—Mary Beth Keane, author of Ask Again, Yes

","__typename":"Praise"},{"id":"25","text":"

The girls in this book are everything, all of us: shape-shifters and outcasts, predators and prey, they lean into and away from the world that claims to know them. Vendela Vida is an astoundingly good writer and the ideas she’s wrestling with in these pages—about sexuality and seeing, storytelling and identity—are profound.
\r\n—Danzy Senna, author of New People

","__typename":"Praise"},{"id":"27","text":"

From the first page, We Run the Tides is captivating. A story about girlhood, friendship, and the pathologies of innocence and victimhood, it reminds me of Ferrante’s My Brilliant Friend, but set against the furious backdrop of San Francisco’s Sea Cliff neighborhood. Its scope, ferocity, and main characters are unforgettable. Vendela Vida is masterful at constructing the nuances and complications of how young girls become aware of their power, and the choices they make once they wield it.
\r\n—Sally Wen Mao, author of Oculus

","__typename":"Praise"},{"id":"51","text":"

Vida, whose polished and incisive prose is in the Didion mode, inflects this droll and sensitive coming-of-age tale . . . with eviscerating social commentary. A nimble and arresting drama about the spell cast by beauty, the compulsion to lie, the valor of forthrightness, and the inevitability of the inexplicable.
\r\n—Booklist (starred review)

\r\n\r\n

Set in a pre–tech boom San Francisco that feels moody, foreboding, and magical, this enigmatic tale of adolescent friendship, a disappearance, and coming-of-age is smart, sly, and as knowing about the mind and heart of a teenage girl as an Elena Ferrante novel.
\r\n—O, the Oprah Magazine

","__typename":"Praise"},{"id":"53","text":"

[An] exhilarating, maddening, thoroughly entertaining novel . . . irresistible . . . With its tangible, tactile details peppered throughout and super-smart, quirky Eulabee at its helm, We Run the Tides is deceptively sweet—and as addictive as candy.
\r\n—The Boston Globe

","__typename":"Praise"},{"id":"54","text":"

A perceptive tale of losing innocence and finding one’s true self. As consistently surprising as it is hauntingly resonant (not to mention often very funny), Vida’s chronicle of female friendship is a fast, addictive read.
\r\n—Entertainment Weekly

","__typename":"Praise"},{"id":"61","text":"

Vida captures the unstable sensation of early adolescent reality, that period teetering between childhood and young adulthood in which outlandish lies can seem weirdly plausible and basic facts totally alien . . . the affectionate specificity of the portrait she offers is one of the book’s real pleasures. . . . Vida’s San Francisco is ramshackle and eccentric, home to heiresses but also tide pools of counterculture backwash.
\r\n—The New York Times Book Review

","__typename":"Praise"},{"id":"55","text":"

[A]tmospheric, glistering novel of adolescence and innocence lost . . . Vida perfectly captures the panicky feeling inherent to adolescence, of wanting to know everything that's going on, but being aware that you'll probably only ever scratch the surface of the truth.
\r\n—Refinery 29

","__typename":"Praise"},{"id":"56","text":"

If you can’t get enough ’80s nostalgia (and I count myself among you), Vendela Vida’s latest will scratch that itch. In this tense story of teen female friendship and betrayal in the pre–tech bro years of San Francisco, BFFs Eulabee and Maria Fabiola have a dramatic falling out that’s followed by Maria Fabiola’s disappearance. Early readers have been responding with ALL CAPS–level excitement.
\r\n—Lithub

","__typename":"Praise"},{"id":"57","text":"

Vida excels at capturing the insidious kinds of sexual harassment that are so omnipresent in girlhood that they become dangerously invisible. Vida manages to make that subject matter both deadly serious and laugh-out-loud, as appropriate and important a read for a real-life middle schooler as for a grown-up adult-lady book club.
\r\n—Glamour.com

","__typename":"Praise"},{"id":"59","text":"

[T]here’s something naughty, almost gleeful about this nostalgia-soaked portrayal of pre–tech boom San Francisco that keeps the pages turning.
\r\n—San Francisco Chronicle

","__typename":"Praise"},{"id":"60","text":"

[A] dreamy, tricky tale of girlhood, secrets, and the shifting sands of truth . . . This captivating coming-of-age novel asks readers to consider friendship, cruelty, deception, and consequences. We Run the Tides is an enchanting, literary novel, realistic but a little unreal. Vida gives a tender, incisive portrayal of adolescence. The girls' cruelties are visceral and impermanent, the stressors of Sea Cliff somehow both superficial and profound. Vida's readers will be changed by this cleverly woven story about honesty, betrayal, charm, and illusion, about what matters in youth and what matters always.
\r\n—Julia Kastner, Shelf Awareness

","__typename":"Praise"},{"id":"62","text":"

Vida populates her stories with liars, runaways, the reckless—those most adept at reconfiguring their appearances, those caught in the process of becoming. She is excellent at writing teenagers, who try on and discard identities as quickly as the days pass. Their transformations are set to rushing sentences, a pace of existence which Vida renders with exceptional honesty. . . . a nod to Edith Wharton . . . detailed and vibrant . . . as much a novel of girlhood vulnerability as it is a story of fortification and fear . . .
\r\n—LA Review of Books

","__typename":"Praise"},{"id":"63","text":"

In We Run the Tides, author Vendela Vida has crafted a coming-of-age tale replete with friendship, sexuality, and a good dose of mystery. Vida’s writing shines as she captures this exciting, vulnerable and sometimes worrisome time when a girl is puzzling out her position in the world, who she wants to be, and how that fits with the person others have decided she already is.
\r\n—Pittsburgh Post-Gazette

","__typename":"Praise"},{"id":"64","text":"\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n

\r\n\t\t\t

[T]he neighborhood of Sea Cliff is itself, as they often say of New York City when it comes to films, “a character” in Vendela Vida’s novel, where it is depicted with an accuracy that extends to the book’s true subjects: girlhood, physical danger, independence, and game-playing. Maria Fabiola is the heiress to a sugar fortune and part of a group of girls who all attend the same private school. She is the one in her group—and there’s always one—who hits the puberty jackpot, developing myriad physical enchantments while her friends go to war with blackheads. One day, Maria Fabiola vanishes. Another member of the group follows. The disappearances are not what they seem, and to find out why, you’ll have to read more than this 267-word blurb can honorably divulge.
\r\n\t\t\t—Molly Young, Read Like the Wind newsletter from Vulture

\r\n\t\t\t

","__typename":"Praise"},{"id":"65","text":"

We Run the Tides captures the pain that comes with the slow erosion of childhood friendships and the innocence they entail. And perhaps more significantly: Often, we never really know someone even if we think we do.
\r\n—Vogue

","__typename":"Praise"},{"id":"66","text":"

An engaging, intelligent story.
\r\n—Town & Country

\r\n\r\n

Vendela Vida crafts a tense tale of girlhood, privilege, and innocence.
\r\n—Alma

","__typename":"Praise"},{"id":"67","text":"

[A] perceptive, teasing delight that succeeds in being both knowing and powerfully enigmatic.
\r\n—The Guardian

","__typename":"Praise"}],"content":[{"id":"15","slug":"summary-8","title":"Summary","text":"

Listen to the review on NPR's Fresh Air by Maureen Corrigan here.

\r\n\r\n

National Bestseller
\r\nVogue's Best Books to Read in 2021
\r\nNew York Times Book Review Editors' Choice
\r\nThe Week's Book of the Week

\r\n\r\n

An achingly beautiful story of female friendship, betrayal, and a mysterious disappearance set in the changing landscape of San Francisco.

\r\n\r\n

Teenage Eulabee and her magnetic best friend, Maria Fabiola, own the streets of Sea Cliff, their foggy oceanside San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.

\r\n\r\n

Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"7","slug":"the-divers-clothes-lie-empty","title":"The Diver's Clothes Lie Empty","buyUrl":"https://www.greenapplebooks.com/book/9780062110947","image":{"id":"3","uid":"02aaaed5-f13b-47a0-8169-1dd6d98ad9ba","url":"https://media.artcodehost.io/vendelavida/images/02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png","width":6300,"height":4500,"title":"TDCLE background","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png/200x200.inside.02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png","width":200,"height":143,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png/300x300.inside.02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png","width":300,"height":214,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png/880x800.inside.02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png","width":880,"height":629,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png/1920x1200.inside.02aaaed5f13b47a081691dd6d98ad9ba_Z2Yl.png","width":1680,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"21","text":"

You will tear through Vendela Vida’s The Diver’s Clothes Lie Empty, this wry, edgy, philosophical thriller, this love child of Albert Camus and Patricia Highsmith, this sly satire of Hollywood, this entertaining journey through the vast desert of identity and regret.
\r\n—Jess Walter, author of Beautiful Ruins

","__typename":"Praise"},{"id":"19","text":"

Part glamorous travelogue, part slow-burn mystery, this full-bodied tale of a runaway is at once formally inventive and heartbreakingly familiar. Through her sumptuous descriptions of Morocco and the painfully real internal monologue of her second-person narrator, Vendela Vida proves once and for all that wherever you go there are are—but that travel has the power to awaken new selves and heal primal wounds. (It’s also insanely funny.)
\r\n—Lena Dunham, author of Not That Kind of Girl

","__typename":"Praise"},{"id":"30","text":"

[Vida’s] finest book. . . . With its echoes of Hitchcock and Highsmith, this novel is full of darting pleasures.
\r\n—New York Times

\r\n\r\n

After this, I'll read anything Vida writes. I trust her not to waste our time.
\r\n—The Chicago Tribune

","__typename":"Praise"},{"id":"31","text":"

The smooth engineering of her fourth and finest book, [create] a taut, suspenseful story that ticks along with marvelous efficiency, like a little bomb.
\r\n—The New York Times

\r\n\r\n

Whether there is freedom in becoming truly no one is hard to know, but what emerges from this shifting, uncertain terrain is a novel of sublime unease and delicious bewilderment.
\r\n—The Guardian

","__typename":"Praise"},{"id":"20","text":"

Vendela Vida has written a truly original novel, a work of art that shines with Buñuelian play and cruelty. You will be driven to read this novel compulsively, and then you will have the same strange sly smile that I do now.
\r\n—Rachel Kushner, author of The Mars Room

","__typename":"Praise"},{"id":"28","text":"

The Diver’s Clothes Lie Empty is a chilling tale about the gradual loss of identity—a novel of doubles, invisibility, and lies, poised somewhere between thriller and fever dream.
\r\n—Sheila Heti, author of Motherhood

","__typename":"Praise"}],"content":[{"id":"13","slug":"summary-7","title":"Summary","text":"

A taut, spellbinding literary thriller that probes the essence and malleability of identity.

\r\n\r\n

In this mesmerizing novel of ideas, a woman travels to Casablanca, Morocco, on mysterious business. While checking into her hotel, the woman is robbed of her wallet and passport—all of her money and identification. Though the police investigate, the woman senses an undercurrent of complicity between the hotel staff and the authority—she knows she’ll never recover her possessions. Stripped of her identity, she feels burdened by the crime yet strangely liberated by her sudden freedom to be anyone she chooses.

\r\n\r\n

A chance encounter with a movie producer leads to a job posing as a stand-in for a well-known film star. The star reels her in deeper, though, and soon she’s inhabiting the actress’s skin off set too—going deeper into the Casablancan night and further from herself. And so continues a strange and breathtaking journey full of unexpected turns, an adventure in which the woman finds herself moving irrevocably, thrillingly, away from the person she once was.

\r\n\r\n

Told with vibrant and lush detail and a wicked sense of humor, The Diver’s Clothes Lie Empty is part literary mystery, part psychological thriller—an unforgettable novel that explores free will, power, and a woman’s right to choose not her past, not her present, but certainly her future.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"6","slug":"the-lovers","title":"The Lovers","buyUrl":"https://www.greenapplebooks.com/book/9780060828400","image":{"id":"5","uid":"733609fd-8063-4a53-af1b-d90f8fb8c065","url":"https://media.artcodehost.io/vendelavida/images/733609fd80634a53af1bd90f8fb8c065_yU8C.jpg","width":266,"height":316,"title":"The Lovers","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/733609fd80634a53af1bd90f8fb8c065_yU8C.jpg/200x200.inside.733609fd80634a53af1bd90f8fb8c065_yU8C.jpg","width":168,"height":200,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/733609fd80634a53af1bd90f8fb8c065_yU8C.jpg/300x300.inside.733609fd80634a53af1bd90f8fb8c065_yU8C.jpg","width":253,"height":300,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/733609fd80634a53af1bd90f8fb8c065_yU8C.jpg/880x800.inside.733609fd80634a53af1bd90f8fb8c065_yU8C.jpg","width":673,"height":800,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/733609fd80634a53af1bd90f8fb8c065_yU8C.jpg/1920x1200.inside.733609fd80634a53af1bd90f8fb8c065_yU8C.jpg","width":1010,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"16","text":"

In this thrilling, psychologically astute portrait of a woman’s struggle to escape the paralysis of grief, Vida plunges us into a world where nothing is what it seems—and where love and death are inextricably linked. Beautiful and haunting, this novel portrays a woman’s life beyond her husband’s death with Didionesque acuteness; the fact that it delivers so much pleasure in the process is a testament to Vendela Vida’s immense storytelling gifts.
\r\n—Julie Orringer, author of The Flight Portfolio

","__typename":"Praise"},{"id":"47","text":"

A riveting and suspenseful novel about a woman's voyage to self-discovery. Though the aura of dread mounts . . . there are surprising revelations here, as well as an utterly unpredictable ending.
\r\n—Joyce Carol Oates, author of What I Lived For

","__typename":"Praise"},{"id":"17","text":"

The Lovers pulls you out to sea with a masterful hypnosis. I was so enthralled by the grief, the sticky and sandy details, and especially the perfect articulation of feminine self-awareness that I didn’t realize how deep in I was. I read the last page with a tearful gasp.
\r\n—Miranda July, author of The Last Bad Man

","__typename":"Praise"},{"id":"18","text":"

A spare and haunting meditation on how travel can bring us full circle back to the place from which we should have started. I read it over two days and dreamed about it the second night.
\r\n—Francine Prose, author of Goldengrove

","__typename":"Praise"},{"id":"34","text":"

A satisfying, often brilliant portrait of a woman searching for relief from things that will not, she discovers at last with something like acceptance, go away.
\r\n—New York Times Book Review

\r\n\r\n

A wise and generous book, loving of its characters.
\r\n—Aleksandar Hemon, author of The Lazarus Project

","__typename":"Praise"},{"id":"36","text":"

A preternaturally sure-footed acrobat in the tricky realm of grief . . . The Lovers is her best and most disturbing novel yet.
\r\n—San Francisco Chronicle

\r\n\r\n

Quietly provocative, The Lovers explores the perils of self-involvement and the ease with which we destroy one another’s lives.
\r\n—People

","__typename":"Praise"},{"id":"35","text":"

Somber, seductive, reflective, unsettling. All our lives are journeys . . . [and] hopefully, we shed some of our ignorance along the way.
\r\nVida writes—so beautifully!—about this process.
\r\n—Washington Post

","__typename":"Praise"},{"id":"37","text":"

A languorous medication on how accidents of fate shape a life.
\r\n—Vogue

\r\n\r\n

An elegant, droll writer who get the strangeness and self-consciousness of traveling alone just right. . . . A slender and necessary book of great depth and reach.
\r\n—Vanity Fair

","__typename":"Praise"}],"content":[{"id":"11","slug":"summary-6","title":"Summary","text":"

A stunning novel about the love between husbands and wives, mothers and children.

\r\n\r\n

Twenty-eight years ago, Peter and Yvonne honeymooned in the beautiful coastal village of Datça, Turkey. Now Yvonne is a widow, her twin children grown. Hoping to immerse herself in memories of a happier time—as well as sand and sea—Yvonne returns to Datça. But her plans for a restorative week in Turkey are quickly complicated. Instead of comforting her, her memories begin to trouble her. Her vacation rental’s landlord and his bold, intriguing wife—who share a curious marital arrangement—become constant uninvited visitors, in and out of the house.

\r\n\r\n

Overwhelmed by the past and unexpectedly dislocated by the environment, Yvonne clings to a newfound friendship with Ahmet, a local boy who makes his living as a shell collector. With Ahmet as her guide, Yvonne gains new insight into the lives of her own adult children, and she finally begins to enjoy the shimmering sea and relaxed pace of the Turkish coast. But a devastating accident upends her delicate peace and throws her life into chaos—and her sense of self into turmoil. With the crystalline voice and psychological nuance for which her work has been so celebrated, Vendela Vida has crafted another unforgettable heroine in a stunningly beautiful and mysterious landscape.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"4","slug":"let-the-northern-lights-erase-your-name","title":"Let the Northern Lights Erase Your Name","buyUrl":"https://www.greenapplebooks.com/book/9780060828387","image":{"id":"11","uid":"54df0e80-ff51-4803-81d3-d07318129418","url":"https://media.artcodehost.io/vendelavida/images/54df0e80ff51480381d3d07318129418_AgaV.jpg","width":851,"height":630,"title":"LTNLEYN","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/54df0e80ff51480381d3d07318129418_AgaV.jpg/200x200.inside.54df0e80ff51480381d3d07318129418_AgaV.jpg","width":200,"height":148,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/54df0e80ff51480381d3d07318129418_AgaV.jpg/300x300.inside.54df0e80ff51480381d3d07318129418_AgaV.jpg","width":300,"height":222,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/54df0e80ff51480381d3d07318129418_AgaV.jpg/880x800.inside.54df0e80ff51480381d3d07318129418_AgaV.jpg","width":880,"height":651,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/54df0e80ff51480381d3d07318129418_AgaV.jpg/1920x1200.inside.54df0e80ff51480381d3d07318129418_AgaV.jpg","width":1621,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"46","text":"

“I had hired the new Hungarian florist in town to do the flower arrangement,” the narrator of Vendela Vida’s new novel says of her father’s funeral. “A mistake. A ruby banner hung diagonally, like a beauty contestant’s sash, across a garish bouquet near the casket. In large silver lettering: BE LOVED.” This tone of dark whimsy suffuses the whole book and accounts for much of its peculiarly biting charm. You’ve seen it before, in movies like Little Miss Sunshine or The Royal Tennenbaums and in books like—well, maybe there aren’t any books that walk this very fine line between high-camp comedy and the lyrical seriousness that Vida’s title portends: Let the Northern Lights Erase Your Name.”
\r\n—Madison Smartt Bell, New York Times Book Review

","__typename":"Praise"},{"id":"40","text":"

Vida gives the icy landscape an eerie, forbidding beauty, and her writing has . . . great emotional acuity.
\r\n—The New Yorker

\r\n\r\n

A luminous and evocative tale of grief, free of the standard cliches.
\r\n—Kirkus Reviews (starred review)

","__typename":"Praise"},{"id":"11","text":"

Vida has discovered that rare thing—a people’s untold story—and brought it brilliantly to life. A haunted, moving, gorgeous novel. It glows from within like a building made of snow.
\r\n—Andrew Sean Greer, author of Less

\r\n\r\n

A taut, intricately layered page-turner that looks deeply and fearlessly into matters of profound human concern.
\r\n—Michael Cunningham, author of The Hours

","__typename":"Praise"},{"id":"10","text":"

A brilliantly constructed lightning-flash of a novel: compelling, surprising, economical, lush, beautifully written. Reading this book reminded me of how powerful the novel can be—how addictive and vital—and of how rarely a writer as precise, artful, and passionate as Vendela Vida comes along.
\r\n—George Saunders, author of Lincoln in the Bardo

","__typename":"Praise"},{"id":"41","text":"

In this searing and beautiful novel, a young woman makes her way to the far, far north of the world, where she sets herself the impossible task of learning that which she cannot bear to know. She is funny and fearless and absolutely unforgettable—just like this marvelous book.
\r\n—Ann Packer, author of The Dive from Clausen’s Pier

","__typename":"Praise"},{"id":"42","text":"

Part prayer, part curse, [Let the Northern Lights Erase Your Name] is a tightly restrained expression of anger and yearning, a strangled cri de coeur. Across its surface runs a frozen stream of bleak comedy, while tragedy churns underneath.
\r\n—Washington Post

\r\n\r\n

Vida perfectly captures the emotional dimension of Clarissa’s search, showing that the truth, no matter how pockmarked, is preferable to fiction.
\r\n—People

","__typename":"Praise"},{"id":"43","text":"

The setting is exotic, but the story is timeless. Vendela Vida’s terrific new novel is a taut, tense, terse examination of family and identity. . . . Let the Northern Lights Erase Your Name has the grip and pace of a thriller, all but demanding to be read straight through in one sitting, but Vida’s second novel also manages to plumb a host of profound questions during its relentless drama. . . . Vida’s slim novel manages to examine many weighty questions, including the responsibility of parents, the long aftermath of rape, the power of family secrets, the possibility of creating new life. To be able to raise such matters . . . and still maintain a page-turning pace is a considerable accomplishment, especially in this era when there are way too many doorstop novels bloated on steroids.
\r\n—Seattle Post-Intelligencer

","__typename":"Praise"},{"id":"44","text":"

Vida’s laconic wit and uncompromising character sketches set her book apart from her generation’s tired quest-for-self genre.
\r\n—New York magazine

\r\n\r\n

[A] stirring novel . . . as alive and fascinating as the brilliant atmospheric phenomenon of its title.
\r\n—Chicago Tribune

","__typename":"Praise"}],"content":[{"id":"7","slug":"summary-4","title":"Summary","text":"

New York Times Notable Books of 2007
\r\nKate Chopin Award winner
\r\nA San Francisco Chronicle Bestseller

\r\n\r\n

On the day of her father’s funeral, twenty-eight-year-old Clarissa Iverton discovers that he wasn’t her biological father after all. Her mother disappeared fourteen years earlier, and her fiancé has just revealed a life-changing secret to her. Alone and adrift, Clarissa travels to mystical Lapland, where she believes she’ll meet her real father. There, at a hotel made of ice, Clarissa is confronted with the truth about her mother’s history and must make a decision about how—and where—to live the rest
\r\nof her life.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"2","slug":"and-now-you-can-go","title":"And Now You Can Go","buyUrl":"https://bookshop.org/books/and-now-you-can-go/9781400032419","image":{"id":"10","uid":"e8e4f4cb-6459-4a99-a7aa-7856c4530409","url":"https://media.artcodehost.io/vendelavida/images/e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg","width":659,"height":469,"title":"And Now","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg/200x200.inside.e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg","width":200,"height":142,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg/300x300.inside.e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg","width":300,"height":214,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg/880x800.inside.e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg","width":880,"height":626,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg/1920x1200.inside.e8e4f4cb64594a99a7aa7856c4530409_9iV1.jpg","width":1686,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"6","text":"

Clever and dry and funny . . . Vida has written a thriller: a thriller about how we love and how we forgive and when and how we have to choose to do so.
\r\n—The New York Review of Books

\r\n\r\n

It’s a challenge to not fall in love with Vida’s characters. . . . Equally humorous and heartbreaking. . . . Vida has written an enormously giving and heartfelt exploration.
\r\n—The Austin Chronicle

","__typename":"Praise"},{"id":"4","text":"

A swift, fleet novel, a spare but polished miniature. . . . Vida writes with a sense of urgency, and with leapfrogging good humor.
\r\n—New York Times Book Review

\r\n\r\n

Astonishingly accomplished. . . . Vida creates the stunning impression that relationships are always provisional, even if the most random human interaction has the power to alter—or save—your life.
\r\n—Los Angeles Times

","__typename":"Praise"},{"id":"45","text":"

Glows with an offbeat aura of benediction that is reminiscent of Salinger, as is its quirky grasp of the contemporary human comedy.
\r\n—The Boston Globe

\r\n\r\n

Utterly gripping, a book to be read in one sitting.
\r\n—The Times Literary Supplement (London)

","__typename":"Praise"},{"id":"5","text":"

And Now You Can Go is so fast, so mesmerizing to read, and so accomplished that it’s hard to think of it as a first novel, which it is—Vendela Vida has talent to spare.
\r\n—Joan Didion, author of The Year of Magical Thinking

","__typename":"Praise"},{"id":"48","text":"

I was captivated from the first page, compelled to keep reading until I finished in the wee hours of the morning. Vida’s novel is a gift to the reader, a story that contains what I love best about fiction: an idiosyncratic voice, keenly observed gestures, intelligence and heart, and both large and small moments that reverberate in unpredictable ways. It’s the debut of a writer with enormous talents.
\r\n—Amy Tan, author of The Joy Luck Club

","__typename":"Praise"},{"id":"49","text":"

Vida’s first novel defies expectations in virtually every way; what looks to be a tale of psychological trauma, or even revenge, evolves into something much rarer in contemporary fiction: a joyful investigation of the pleasures of living. . . . beguiling, celebratory, mysterious.
\r\n—Jennifer Egan, author of A Visit from the Goon Squad

","__typename":"Praise"},{"id":"50","text":"

And Now You Can Go’s narrator is a cool, quirky customer, but she’s ever ready to do something generous, something noble, something stamped with grace.
\r\n—David Schickler, author of The Dark Path

\r\n\r\n

An existential Perils of Pauline: A young woman is robbed—at gunpoint!—of her ability to feel. Whether or not she can learn anew how to love is the question at the heart of this wonderful new novel. Comedic yet serious, minimalist yet lush—this is an exciting debut.
\r\n—Jonathon Ames, author of You Were Never Really Here

\r\n\r\n

","__typename":"Praise"}],"content":[{"id":"3","slug":"summary-2","title":"Summary","text":"

New York Times Notable Books of 2003

\r\n\r\n

A fearless, critically acclaimed fiction debut that follows the unpredictable recovery of a young woman as she tries to make sense of her life after an encounter at gunpoint.

\r\n\r\n

Accosted one afternoon in Riverside Park by a man who doesn’t want to die alone, Ellis, a young grad student, talks her way out of the situation by reciting poetry to her desperate captor. He lets her go, but is she free? Rejecting the overtures of her kindhearted boyfriend, the police, and the suitors who would like to save her, Ellis finds herself unable to escape the event. She leaves the city to visit her family and joins her mother on a medical mission to the Philippines. When she returns, Ellis discovers something more about life—perhaps even how to take back her own.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"1","slug":"girls-on-the-verge","title":"Girls on the Verge","buyUrl":"https://www.greenapplebooks.com/book/9780312263287","image":{"id":"9","uid":"fc7b6758-f94e-4874-8d2d-af2feda51d20","url":"https://media.artcodehost.io/vendelavida/images/fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg","width":1124,"height":824,"title":"Girls on the Verge","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg/200x200.inside.fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg","width":200,"height":147,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg/300x300.inside.fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg","width":300,"height":220,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg/880x800.inside.fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg","width":880,"height":645,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg/1920x1200.inside.fc7b6758f94e48748d2daf2feda51d20_6e5r.jpg","width":1637,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"1","text":"

Thoroughly enjoyable . . . well-reported and entertaining.
\r\n—Kirkus Reviews

\r\n\r\n

Vida enables the reader to be a fly on the wall, witnessing coming of age rituals ranging from the traditional and conventional to the obscure and bizarre. Written in amiable prose that is smart, humorous, and entertaining, Vida’s observations provide good objective insight as to what these rituals are about, who engages in them, and what they mean to the young women involved.
\r\n—Libby Fabricatore, Metapsychology Vol. 5, No. 46

","__typename":"Praise"}],"content":[{"id":"1","slug":"summary","title":"Summary","text":"

From girl-gang initiations to sorority rush, an illuminating exploration of today’s coming-of-age experiences.

\r\n\r\n

In her fascinating look at how young women are coming of age in America, Vendela Vida explores a variety of rituals that girls have adapted or created in order to leave their childhoods behind. Vida doesn’t just observe the rituals, she actively participates in them, going as far as spending a week at UCLA to experience rush—she emerges a Tri-Delt. She also goes to Miami to learn about the quince (the Latin American celebration of a girl’s fifteenth birthday), to Houston to take part in a debutante ball, to Los Angeles and San Francisco to talk to female gang members, to Salem, Massachusetts, to interview a coven of witches, and to Las Vegas to watch young brides take the plunge—some of them in drive-through wedding chapels. With humor, insight, and illuminating detail, she explores girls’ struggles to forge an identity and secure a sense of belonging through various rituals—rituals that they embrace without necessarily understanding the comforts they seek or the repercussions of their often all-too-adult choices.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"3","slug":"the-believer-book-of-writers-talking-to-writers","title":"The Believer Book of Writers Talking to Writers","buyUrl":"https://bookshop.org/books/the-believer-book-of-writers-talking-to-writers/9781932416367","image":{"id":"14","uid":"257686d6-926b-471c-92a3-8912e7bec686","url":"https://media.artcodehost.io/vendelavida/images/257686d6926b471c92a38912e7bec686_DkKk.jpg","width":639,"height":464,"title":"Believer Gray","altText":"","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/257686d6926b471c92a38912e7bec686_DkKk.jpg/200x200.inside.257686d6926b471c92a38912e7bec686_DkKk.jpg","width":200,"height":145,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/257686d6926b471c92a38912e7bec686_DkKk.jpg/300x300.inside.257686d6926b471c92a38912e7bec686_DkKk.jpg","width":300,"height":218,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/257686d6926b471c92a38912e7bec686_DkKk.jpg/880x800.inside.257686d6926b471c92a38912e7bec686_DkKk.jpg","width":880,"height":639,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/257686d6926b471c92a38912e7bec686_DkKk.jpg/1920x1200.inside.257686d6926b471c92a38912e7bec686_DkKk.jpg","width":1653,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"8","text":"

[An] exquisite collection . . . a book in which writers chat uninhibited and present the "writing life" with deep, measured enthusiasm, self-deprecating absurdity, or unexpected poignancy.
\r\n—Publishers Weekly

","__typename":"Praise"}],"content":[{"id":"5","slug":"summary-3","title":"Summary","text":"

Rife with astonishing insights and profound quips, this collection features twenty-three conversations and correspondences between much-admired writers and the writers they admire.

\r\n\r\n

This book is a collection of twenty-three conversations between writers and their “mentors,” taken from the pages of The Believer, along with previously unpublished conversations. The term “mentors” is used loosely to suggest an informal kinship between a younger writer and a more experienced one. These conversations are not limited to issues of writing and craft, but instead offer unfettered exchanges on a wide range of topics—from Buddhism to infinity, politics to mountain climbing. The interviews feature the serious-yet-casual Believer approach to the standard, often formal, interview format. David Foster Wallace, for example, fields the question, “Do you want to talk about your history with various forms of tobacco?” while George Saunders reflects upon this oft-pondered mystery: “What’s up with the crows in Syracuse?” Interviews include Zadie Smith talking with Ian McEwan; Jonathan Lethem talking with Paul Auster; Adam Thirlwell talking with Tom Stoppard; Susan Choi talking with Francisco Goldman; ZZ Packer talking with Edward P. Jones; Dave Eggers talking with David Foster Wallace; Julie Orringer talking with Tobias Wolff; and Ben Marcus talking with George Saunders.

","__typename":"BookContent"}],"__typename":"Book"},{"id":"5","slug":"away-we-go","title":"Away We Go","buyUrl":"https://www.amazon.com/Away-We-Screenplay-Dave-Eggers/dp/0307475883","image":{"id":"1","uid":"88a2c021-9b1f-4d3a-8e72-b9cf1b810021","url":"https://media.artcodehost.io/vendelavida/images/88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg","width":522,"height":359,"title":"AWG","altText":"AWG","captionText":"","images":{"thumb":{"url":"https://media.artcodehost.io/resized/vendelavida/images/88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg/200x200.inside.88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg","width":200,"height":138,"crop":false},"small":{"url":"https://media.artcodehost.io/resized/vendelavida/images/88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg/300x300.inside.88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg","width":300,"height":206,"crop":false},"medium":{"url":"https://media.artcodehost.io/resized/vendelavida/images/88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg/880x800.inside.88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg","width":880,"height":605,"crop":false},"large":{"url":"https://media.artcodehost.io/resized/vendelavida/images/88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg/1920x1200.inside.88a2c0219b1f4d3a8e72b9cf1b810021_HdQW.jpg","width":1745,"height":1200,"crop":false}},"__typename":"Image"},"praise":[{"id":"52","text":"

Longtime couple Verona (Maya Rudolph) and Burt (John Krasinski) are expecting a baby, and the impending child’s only living grandparents are moving to—where else—Belgium. So Burt and Verona head out on the road, across America, looking for the right place to call home. Along the way they encounter a succession of strange and hilarious friends and relatives (played by a cast that includes Jeff Daniels, Catherine O’Hara, Maggie Gyllenhaal, Josh Hamilton, Allison Janney, and Jim Gaffigan), most of whom have no idea what they’re doing. In the end—with and despite the help of those they meet on their journey—Burt and Verona come closer to an understanding of their own definition of home and family.

","__typename":"Praise"}],"content":[],"__typename":"Book"}],"pages":[{"id":"1","slug":"about","title":"About","inAboutSection":true,"text":"

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Vendela Vida is the award-winning author of six books, including Let the Northern Lights Erase Your Name and The Diver’s Clothes Lie Empty. Her new novel, We Run the Tides, is a national bestseller. She is a founding editor of The Believer and coeditor of The Believer Book of Writers Talking to Writers and Confidence, or the Appearance of Confidence, a collection of interviews with musicians. She was a founding board member of 826 Valencia, the San Francisco writing center for youth, and lives in the Bay Area with her family.

\r\n

","__typename":"Page"},{"id":"4","slug":"news-events","title":"News & Events","inAboutSection":true,"text":"

NEWS

\r\n\r\n

Vendela Vida's new book, We Run the Tides, is out! Order it from your favorite independent bookseller today, or order it from Vendela's pick right now!

\r\n\r\n

Listen to the review on NPR's Fresh Air by Maureen Corrigan here.

","__typename":"Page"},{"id":"2","slug":"contact","title":"Contact","inAboutSection":true,"text":"

CONTACT

\r\n\r\n

Follow Vendela Vida on Instagram!

\r\n\r\n

US Publisher Contact:
\r\nSonya Cheuse
\r\nEcco Books

\r\n\r\n

UK Publisher Contact:
\r\nKaren Duffy
\r\nAtlantic Books

\r\n\r\n

Literary Agent:
\r\nNicole Aragi
\r\nAragi

\r\n\r\n

Film Agent:
\r\nBrooke Ehrlich
\r\nAnonymous Content

\r\n\r\n

","__typename":"Page"},{"id":"3","slug":"essays-book-reviews","title":"Essays & Book Reviews","inAboutSection":false,"text":"

“Searching for Melania Trump’s Childhood Home,”
\r\nnonfiction in the New Yorker.

\r\n\r\n

“A Woman Sleeps a Year Away in Ottessa Moshfegh’s Darkly Comic New Novel,”
\r\nMy Year of Rest and Relaxation by Ottessa Moshfegh,
\r\nbook review for the New York Times.

\r\n\r\n

“Wedding, Funeral, Bride,”
\r\nnonfiction in Ploughshares.

\r\n\r\n

The Fox Was Ever the Hunter by Herta Müller,
\r\nbook review for the New York Times.

\r\n\r\n

“The Pull of an Idyll as Years Pass By,”
\r\nnonfiction in the New York Times.

","__typename":"Page"},{"id":"5","slug":"essay-1","title":"essay 1","inAboutSection":false,"text":"

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Curabitur nec diam non nisi sodales lobortis quis ac velit. Suspendisse sit amet metus at ligula sollicitudin suscipit non eget enim. Maecenas sit amet quam tempor, blandit augue vel, aliquet arcu. Suspendisse eleifend mi risus, eu rutrum nisl tristique a. Vestibulum lacus augue, mollis sed est tristique, viverra placerat ipsum. In sapien nisl, ornare vel dapibus vel, pellentesque quis odio. Quisque vitae dolor accumsan, efficitur dolor ut, lobortis eros.

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Donec et eros quis sapien cursus ullamcorper eget sed justo. Nulla vel augue eget enim tempus mattis. Suspendisse dictum ex neque, sed suscipit tortor sagittis vestibulum. Cras a neque leo. Quisque gravida auctor ultricies. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Aliquam luctus, lacus eu pellentesque posuere, elit tortor mollis mauris, imperdiet egestas ex arcu sed risus. Quisque mattis congue lacus. Morbi interdum finibus lorem tristique placerat. Fusce laoreet felis ac interdum suscipit. Curabitur eget dolor nec massa volutpat rhoncus. Sed consectetur massa iaculis dapibus aliquet. Vestibulum aliquet interdum nunc in porttitor.

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Donec imperdiet, augue ut pulvinar pretium, ante erat pulvinar tellus, eget fringilla nulla est varius purus. Nullam arcu dui, pharetra et eleifend vel, maximus eu quam. Aenean tincidunt dapibus arcu, sed eleifend urna ultrices ut. Sed eu tortor gravida, luctus nulla mollis, venenatis arcu. Pellentesque ultrices laoreet dignissim. Aenean aliquam nibh ac metus pharetra pretium. Nunc blandit metus congue gravida auctor. Aliquam feugiat venenatis lectus, tincidunt feugiat nunc consequat sit amet. Nullam feugiat ut magna facilisis pellentesque. Pellentesque metus ex, auctor eget tortor nec, faucibus tempus leo.

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Nam a lectus tellus. Vestibulum dignissim turpis varius nisi fringilla, vel dapibus dolor egestas. Donec rhoncus, magna quis facilisis aliquam, massa ligula egestas est, ac sodales odio tortor sit amet lorem. Maecenas ac magna at lorem porttitor lobortis sed et tortor. Sed consequat, magna a scelerisque aliquet, est orci condimentum tortor, facilisis varius arcu nunc non justo. Duis sagittis leo a efficitur dictum. In at feugiat ligula. Integer aliquet nisi nec euismod viverra. Donec sit amet elit eu massa aliquet cursus vel nec libero.

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